The main reason for my getting and keeping gigs has been groove.
I started out playing jazz which really opened my ears. That has been invaluable in situations where
I have to play with no rehearsal or there is a split second change on stage. It keeps you flexible.
There's a thin line between directing traffic and being flexible. We have to do both.
There isn't anything that stands out that I wish I'd worked on more in school.
At Berklee I mostly worked on groove and styles for studio work. The kind of attention to detail(studio)
mixed with a jazz mentality of flexibility has always paid off.
The biggest thing I do now but wish I did before was physically prepare.
I didn't warm up before gigs.
It always took a song or two to warm up. Now, I make sure I put in some good practice time the day before a gig
or audition and then warm up my hands for 5 or 10 min. before downbeat. This way my pocket and chops are sound from the start.
I'm sure you will do well. You are thinking about what needs to be done and that already puts you ahead of the game.
In the real world personality is just as important as musicianship. Being a good guy is never a bad thing.
Avoid saying anything bad about other musicians. Even if it's true.
Over time people will notice that you have good character and will want to work with you.
Some of the best musicians have a hard time keeping gigs if they are assholes.
Be humble when you speak and confident when you play. That's the best way to start as a new guy in town.
I hope this helps. I'm excited for you man!
You're at a great time in life.
Enjoy! - Gabe
